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- Gunther Schuller
Of Reminiscences and Reflections (1993)
- Associated Music Publishers Inc (World)
- 4(2pic,afl).4(2ca).4(2bcl).4(cbn)/6441/timp.5perc/hp.pf(cel)/str
- 20 min
Programme Note
Of Reminiscences and Reflections received the 1994 Pulitzer Prize in Music. Composed over a span of seventeen days during September 1993, the piece is written in the manner of a grand orchestral essay evoking the spontaneous, improvisatory qualities that have come to be associated with Schuller's distinctive musical style.
Of Reminiscences and Reflections was written on commission from The Louisville Orchestra. One of several pieces written on the recent death of his wife, he describes the winning work not as a memorial, "but it is a piece in which our specific musical life together...is evoked." Schuller writes of the work: "It is in effect a symphony for large orchestra in five sections, which are played without interruption. The five sections are demarcated by clearly discernible changes in tempo, orchestration, texture and mood. Impelled by an enormous initial rush of orchestral sound, the first section exploits the full range of color and multiple textures offered by the modern symphony orchestra....This leads without pause to Part II, a driving energetic Allegro, whose middle phase is given over to the percussion section....Parts III and IV represent the 'slow movement' and 'scherzo' of the 'symphony.' Both sections exploit the woodwinds in somber duets....A partial recapitulation of the opening 'movement' (part V) leads this time to a climactic ending, ablaze with trumpets, timpani flourishes and the coloristic brilliance of the full orchestra."
Of Reminiscences and Reflections was written on commission from The Louisville Orchestra. One of several pieces written on the recent death of his wife, he describes the winning work not as a memorial, "but it is a piece in which our specific musical life together...is evoked." Schuller writes of the work: "It is in effect a symphony for large orchestra in five sections, which are played without interruption. The five sections are demarcated by clearly discernible changes in tempo, orchestration, texture and mood. Impelled by an enormous initial rush of orchestral sound, the first section exploits the full range of color and multiple textures offered by the modern symphony orchestra....This leads without pause to Part II, a driving energetic Allegro, whose middle phase is given over to the percussion section....Parts III and IV represent the 'slow movement' and 'scherzo' of the 'symphony.' Both sections exploit the woodwinds in somber duets....A partial recapitulation of the opening 'movement' (part V) leads this time to a climactic ending, ablaze with trumpets, timpani flourishes and the coloristic brilliance of the full orchestra."
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Of Reminiscences and Reflections
