10 Miniatures (2009)

In these exquisite and highly refined bagatelles, the influence of the second Viennese school and Takemitsu rub shoulders to produce an entrancing cocktail that is always arresting, varied and finely crafted. Each of the miniatures is motivically related, yet the range on offer is impressive. In particular, Grime has an ear for rhythmic precision. Her use of rests is captivating, as is her understanding of the sustaining pedal. In terms of texture and pianistic layout, there is a broad range, though Grime is careful never to overload the listener in terms of sonic density. Indeed, there are very few chordal moments in this extremely concentrated and practically conceived five-minute suite, with characterisations ranging from the wistful and distant through to the martial, violent and finally nostalgic and resigned. Strongly recommended.