Commissioned by Presteigne Festival

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Programme Note

When George Vass asked me what I would like to write as a commission for the 2017 Presteigne Festival, I almost immediately responded with ‘a new string quartet’! Having written my First Quartet only as recently as 2015 it may seem a bit strange that I wanted to write another so soon, but the truth is that I had contracted the bug, despite all the challenges that this most difficult of genres present.

Whilst my first quartet (performed at Presteigne in 2015) is a substantial three movement, highly dramatic work, my new quartet is much shorter, structurally compact, and more lyrical in nature. Although it is in one continuous movement there are five distinct sections: Quasi una Siciliana, Alla marcia, Come prima (Appassionata), Alla scherzo, and Siciliana.

The serenity of the opening and closing music is balanced by two faster and more disruptive sections, where tension is increased both harmonically and contrapuntally. However, the emotional heart of the quartet lies in its middle section, where the opening material returns and is developed, reaching a powerful and passionate climax. The final Siciliana is the resolution the music has been waiting for – a simple melodic utterance in modal G major – eventually subsiding into a codetta with upward glissandi harmonics, before fading into the silence from whence the music first began its journey.

Edward Gregson

Media

Reviews

String Quartet No.2 (2017) is cast in one concise movement divided into five sections. The main subject is in the form of lilting, graceful siciliana and its leisurely elegance is effectively countered by two episodes of swifter material, the first a grimly ironic march, the second a quicksilver scherzo. In the haunting closing section, the composer deconstructs his siciliana material and the evocative final bars, laced with harmonics and glissandos, slowly fade into silence.  

Paul Conway, Musical Opinion
July 2022

The String Quartet No. 2 is remarkably satisfying. Conceived as a single movement, it conveniently subdivides into five clear sections. The opening Siciliana is retrospective: it generates much of the material for the succeeding divisions. There follows a faster Alla marcia which presents harmonically and contrapuntally dissonant material of considerable interest. The central section, Come prima (Appassionata), builds on the opening Siciliana, and leads to a “powerful and passionate climax”. A fleet of foot Scherzo follows before the confident return of the quartet’s opening material.

John France, MusicWeb International
May 2022

Discography

Edward Gregson: Chamber Music

Edward Gregson: Chamber Music
  • Label
    Naxos
  • Catalogue Number
    8.574223
  • Ensemble
    Navarra String Quartet
  • Soloist
    Alison Teale, cor anglais; Rob Buckland, alto saxophone; Benjamin Marquise Gilmore, violin
  • Released
    13th May 2022