Commissioned by BCMG.

  • 1(pic)01(bcl)0/1000/hp/str(1.0.1.1.1)
  • 11 min

Programme Note

“Lilith was a serpent; she was Adam’s first wife and, according to Dante Gabriel Rossetti, gave him: ‘Shapes that coiled in the woods and waters, Glittering sons and radiant daughters.’

Throughout the Middle Ages the influence of the word ‘layil’ (Hebrew for night) gave a new turn to the myth. She becomes an apparition of the night and at times a demon who assaults those who sleep alone or those who travel lonely roads – a tall, silent woman with long black hair.”

© Simon Holt

Media

Lilith

Scores

Features

  • Discover the music of Simon Holt
    • Discover the music of Simon Holt
    • Discover the breadth and diversity of Simon Holt’s catalogue as we explore both the orchestral and chamber music from his extensive catalogue.

Reviews

...it's a fascinating work that can hardly be revisited often enough
Alfred Hickling, The Guardian online
31st January 2011
Friday's most valuable revival was the Lilith of Simon Holt (1990), a fissured, tightly wrought portrait of an obviously dangerous presence.
Geoff Brown, The Times
23rd June 2009
Simon Holt's 'Lilith', a menacing work that is tightly constructed out of expressionistic gestures and fascinating instrumental detail, was given a forceful and firm performance from Mason and his players, who confidently attacked Holt's wicked depiction of the serpent Lilith.
Stephen Graham, MusicalCriticism.com
12th December 2008

Discography

Boots of Lead

Boots of Lead
  • Label
    NMC
  • Catalogue Number
    NMC D094
  • Conductor
    Martyn Brabbins / Simon Rattle
  • Ensemble
    Birmingham Contemporary Music Group
  • Soloist
    Ulrich Heinen (vc), Rolf Hind (pf), Rinat Shaham (Ms)

More Info