Many Moons (1997)

Kapilow provides a series of lively, sophisticated, often interactive projects that transform classical music into something accessible, engaging, and, dare I say it, fun!

...shades of The Fantastiks, a bluesy bit reminiscent of Porgy and Bess, a quote from The Nutcracker, even a Mozartean-style quartet that somehow transforms into a jazzy Broadway number. In fact, the shifting and blending of operatic and music-theater styles happens throughout, but the fact that Kapilow does it seamlessly and with such ease and conviction makes it come together very effectively.

Kapilow's music...is a freewheeling, eclectic pastiche of styles that rolls merrily along from beginning to end....The score is colorful, vibrant, expertly crafted, and tunefully accessible...the audience immediately feels a part of the proceedings.

Perhaps the strongest element...is Rob Kapilow himself, a delightfully humorous and charismatic pied piper with the energetic zeal of a televangelist.

Kapilow has cornered the market in quality music addressed to children and their families, and within just a couple of years he has become a very hot commodity, one of America's most performed and sought-after composers. Many Moons is based on the James Thurber story. The libretto by Hilary Blecher is straightforward and atmospheric. The music scampers merrily around [with] the nonstop energy and intelligence that characterizes everything Kapilow does. This piece displays neat craftsmanship, a sharp ear and warm heart.

It was an opera with a spoonful of honey. Kapilow's musical setting is light-hearted and craftsmanly.