Located in the UK
Located in the USA
Located in Europe
- John Corigliano
Fern Hill (harp, piano, strings) (1960)
- G Schirmer Inc (World)
- hp, pf, str
- SATB Chorus
- Mezzo Soprano
- 16 min
- Dylan Thomas
- English
- 13th April 2025, Kilbourn Hall Eastman School of Music, Rochester, NY, United States of America
- 4th May 2025, Westfield, NJ, United States of America
Programme Note
Composer note:
I first encountered Dylan Thomas's work in 1959, my last undergraduate year at Columbia College. It was a revelation. Both the sound and structures of Thomas's words were astonishingly musical. Not by accident, either: "What the words meant was of secondary importance; what matters was the sound of them...these words were as the notes of bells, the sounds of musical instruments," he wrote in his Poetic Manifesto of 1951. I was irresistibly drawn to translate his music into mine.
One poem captivated me: Fern Hill, about the poet's "young and easy" summers at his family's farm of the same name. I wanted to write this work as a gift for my high-school music teacher, Mrs. Bella Tillis, who first encouraged my musical ambitions. She introduced Fern Hill with piano accompanying her (and, once, my) school choir.
Fern Hill is a blithe poem, yet touched by darkness; time finally holds the poet "green and dying," but the poem itself, formally just an ABA song extended into a wide arch, sings joyously of youth and its keen perceptions. I set it for mezzo-soprano solo, chorus, and orchestra, aiming to match the forthright lyricism of the text. (The direction "with simplicity" is everywhere in the printed score.)
— John Corigliano
Related works (see More Info tab for links):
I first encountered Dylan Thomas's work in 1959, my last undergraduate year at Columbia College. It was a revelation. Both the sound and structures of Thomas's words were astonishingly musical. Not by accident, either: "What the words meant was of secondary importance; what matters was the sound of them...these words were as the notes of bells, the sounds of musical instruments," he wrote in his Poetic Manifesto of 1951. I was irresistibly drawn to translate his music into mine.
One poem captivated me: Fern Hill, about the poet's "young and easy" summers at his family's farm of the same name. I wanted to write this work as a gift for my high-school music teacher, Mrs. Bella Tillis, who first encouraged my musical ambitions. She introduced Fern Hill with piano accompanying her (and, once, my) school choir.
Fern Hill is a blithe poem, yet touched by darkness; time finally holds the poet "green and dying," but the poem itself, formally just an ABA song extended into a wide arch, sings joyously of youth and its keen perceptions. I set it for mezzo-soprano solo, chorus, and orchestra, aiming to match the forthright lyricism of the text. (The direction "with simplicity" is everywhere in the printed score.)
— John Corigliano
Related works (see More Info tab for links):
A Dylan Thomas Trilogy (1959-76, revised 1999)
Fern Hill (full orchestra)
Fern Hill (chamber orchestra)
Fern Hill (harp, piano, strings)
Poem in October
Poem in October (reduced orchestration)
Poem on His Birthday
