• Judith Weir
  • Oboe Concerto (2018)

  • Chester Music Ltd (World)

Commissioned by the Adelaide Symphony Orchestra, Tasmanian Symphony Orchestra and West Australian Symphony Orchestra.

  • 2022/2000/str
  • ob + pf
  • Oboe
  • 18 min

Programme Note

Having played the oboe myself as a young person, the composition of an Oboe Concerto had an almost autobiographical significance for me. It was also a memory exercise, as I recalled in detail some of the music I had learned so carefully during those years. One important work, the Strauss Concerto, was helpful with my choice of accompanying instruments; just a wind octet plus strings.

My Concerto is in two movements. The first begins with the oboe more or less solo, flying lyrically through the open air, though soon in dialogue with the strings. The orchestral winds enter unobtrusively, one by one until gradually approaching the first of two major tuttis. After the second of these (which contrasts strong orchestral sentences with almost brutal oboe attacks) the music winds down, again lyrically, and with the oboe nearly always in the foreground.

The second movement could be compared with a passacaglia structure; an orchestral grid that repeats multiple times, but always in transformed scoring, for strings and (later on) bassoons only, with ornamentation by the oboe soloist. Some of the baroque and early classical concertos I used to play (for instance that by Cimarosa) were influential on the melancholy but also dance-like feel of this music.

Finally the winds re-enter with a short sequence of scherzo-like noises, before an extended, up-tempo coda brings the music to its conclusion with, once more, the oboe fluently in the foreground.

My Oboe Concerto was written for Celia Craig, who gave the first performance in Adelaide in October 2018 with the Adelaide Symphony Orchestra (conducted by Douglas Boyd). This orchestra was one of the co-commissioners, along with West Australian Symphony Orchestra and the Tasmanian Symphony Orchestra. The UK premiere of the work was given by Celia Craig with BBC NOW in September 2019.

The duration of the Oboe Concerto is around 20 minutes.

Programme note © 2019 Judith Weir

Media

Judith Weir: Oboe Concerto

Scores

Reviews

Weir describes the oboe as “flying lyrically through the open air”, an effect achieved by a deft sonic balance in writing and delivery, the ensemble restrained to support every mercurial solo phrase... Serene strings opened the second stanza, summoning a Baroque-style oboe melody that Weir credits to her early experience playing concertos in that genre; meditative in minor mode. Orchestration also had an early modern ambience; violins split across the stage, violas and cellos transposed and basses stage left, with horns the only brass in an octet of winds.

David Cusworth, The West Australian
4th November 2023

With a first movement of serpentine melodic figures and interrupted conversations between soloist, winds and strings and a second movement redolent of a Baroque arioso, replete with gorgeous ornamentation... [an] attractive, sometimes other-worldly, work....

Will Yeoman, Limelight
3rd November 2023

...this piece confirms Weir’s integrity: she writes what she wants to write, impervious to the criticisms of those who might disdain tonality. There is much sophisticated lyricism in this concerto, and real feeling.

Hannah Nepilova, Financial Times
16th December 2019

...a very fine addition to the repertory and certainly deserves repeated hearings.

Alexander Hall, Classical Source
13th December 2019

Discography

Judith Weir: Oboe Concerto

Judith Weir: Oboe Concerto
  • Label
    Artaria
  • Catalogue Number
    AUECL2300001
  • Conductor
    Douglas Boyd
  • Ensemble
    Adelaide Symphony Orchestra
  • Soloist
    Celia Craig, oboe
  • Released
    2023

More Info