Captains Courageous: Suite (1937)

Sections
Main Title
Here Comes Cushman
Fishing Montage
Cushman Sailing Along
Manuel Overboard
End Title

Note
In a superb adaptation of Rudyard Kipling’s poignant sea classic, Spencer Tracy won an Academy Award for Best Actor of 1937 as Manuel, a Portuguese fisherman who teaches human values to a spoiled young millionaire’s son. In a characterization ranging from grave to jolly, mystical to courageous, this is one of Tracy’s finest and most colorful roles ever.

Freddie Bartholomew is 12 year-old Harvey Cheyne who falls overboard while bound for Europe with his father (Melvyn Douglas). The boy’s transformation begins when he is saved by Manuel and brought aboard a New England fishing schooner captained by Disko (Lionel Barrymore). There, he is instantly put to work alongside Dan (Mickey Rooney), the captain’s son. Through the slow and difficult mastery of skills, the boy is changed from brat into a gallant, brave apprentice. He also learns to appreciate the fishing life and to adore his stalwart friend, Manuel.

With its magnificent sea photography by Harold Rossen and eloquent emotional intensity, Victor Fleming’s epic production has a spellbinding performance by John Carradine as “Long Jack.”

Captains Courageous was the second of seven Spencer Tracy films that Waxman would score between 1936 and 1942 while under contract to Metro-Goldwyn-Mayer.

(Some of the other films are Fury, Dr. Jekyll and Mr. Hyde,Tortilla Flat, and Woman of the Year).

The Manuel theme for Tracy is based on a traditional Catalan folk song “El Noy de la Mar” originally arranged for guitar in the 1850’s by Miguel Llobert and frequently recorded in our own time by such artists as Andre Segovia. In the film Tracy as Manuel plays a Portuguese musical instrument called the vielle.

For a recording of Waxman film music by Australia’s Queensland Symphony Orchestra, conducted by Richard Mills (released by Varese Sarabande Records), the noted orchestrator Christopher Palmer reconstructed the score from Waxman’s sketches; MGM had destroyed their entire music library through the mid-1960’s. Erich Kunzel also recorded the Suite on “Masters and Commanders” with the Cincinnati Pops (Telarc).