Commissioned for the Prism Quartet with generous support by the Fromm Music Foundation at Harvard University

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  • 10 min

Programme Note

Composer note
Chinese traditional music had a fascinating practice of transforming old, mostly well-known compositions into new works. This procedure, called Old Tune Renewed, often goes far beyond the normal concept of interpretation. Here the recreator would become the creator and would often compose a new work based on the older version. The fresh execution would become a new tradition which would be passed on by performers in the next generations. This is an indispensable practice in Chinese music, as it not only prolongs the lifespan of the established compositions, but also it makes sure that the older works are up to date to the sensibility of its performers and audience. I centered Old Tune Renewed on a folk song from Northwestern China. The work attempts to spotlight the style and zest of the folk singing, often takes place in open valleys, while putting a contemporary spin on the music.

— Bright Sheng

Media

excerpt from Old Tune Renewed

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