- Kaija Saariaho
Lichtbogen (1986)
- Edition Wilhelm Hansen Helsinki (World)
Commissioned by the French Ministry of Culture
- 1(pic,afl)0.0.0/0.0.0.0/perc/hp.pf/str(1.1.1.1.1)/electronics (see link above for details)
- 17 min
- 15th May 2025, Philharmonie, Cologne, Germany
- 1st July 2025, Royal Academy of Music, London, United Kingdom
Programme Note
For full information on the electronics, please see 'more info'.
The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and language for the piece started to move in my mind. What is the dependence - and does it exist at all? - between this phenomenon of nature and my piece, I don't know.
In LICHTBOGEN I work for the first time with computer in the context of purely instrumental music. Special harmony and rhythm are worked out with two different tools in IRCAM.
For harmony I have worked with the CRIME system developed by Claudy Malherbe and Gerard Assayag: the harmonic material is created by analysing short transitions played with a violoncello, starting from artificial harmonic sound and ending to complex 'multiphonic' sounds. The analyses have been made by selecting many small windows in the different parts of the sound. From the results of the analyses I have reconstructed the transitions and made harmonic processes, which are often combined to the original playing manners of the analysed sound, so that harmony and timbral thinking stem from the same source.
For the rhythm I use a network for programmes which I have realised with Xavier Rodet in the FORMES environment. These programmes allowed me to construct interpolations and transitions for different musical parameters. The rhythmic interpolations here are created between different musical patterns by using circular lists, in which every time when repeated, values have changed, and thus modified the general character of the pattern. The calculated results have then been transcribed with approximations, which allows them to be playable to musical notation.
LICHTBOGEN is a commission of the French Ministry of Culture and is dedicated to Paul Mefano.
Kaija Saariaho
The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and language for the piece started to move in my mind. What is the dependence - and does it exist at all? - between this phenomenon of nature and my piece, I don't know.
In LICHTBOGEN I work for the first time with computer in the context of purely instrumental music. Special harmony and rhythm are worked out with two different tools in IRCAM.
For harmony I have worked with the CRIME system developed by Claudy Malherbe and Gerard Assayag: the harmonic material is created by analysing short transitions played with a violoncello, starting from artificial harmonic sound and ending to complex 'multiphonic' sounds. The analyses have been made by selecting many small windows in the different parts of the sound. From the results of the analyses I have reconstructed the transitions and made harmonic processes, which are often combined to the original playing manners of the analysed sound, so that harmony and timbral thinking stem from the same source.
For the rhythm I use a network for programmes which I have realised with Xavier Rodet in the FORMES environment. These programmes allowed me to construct interpolations and transitions for different musical parameters. The rhythmic interpolations here are created between different musical patterns by using circular lists, in which every time when repeated, values have changed, and thus modified the general character of the pattern. The calculated results have then been transcribed with approximations, which allows them to be playable to musical notation.
LICHTBOGEN is a commission of the French Ministry of Culture and is dedicated to Paul Mefano.
Kaija Saariaho
Media
Saariaho : Lichtbogen for Nine Musicians and Live Electronics
Scores
Features
- Kaija Saariaho’s Poetic Montages
- From the very beginning of her career as a composer, Kaija Saariaho has turned to poetry as a material and inspiration for her music. The forms and logics of poetry have played a defining role in her output since then.
Discography
Kaija Saariaho
- LabelOndine
- Catalogue Number997-2
- ConductorHannu Lintu
- EnsembleAvanti! Chamber Orchestra
- SoloistJohn Storgårds, violin
- Released31st May 2002
Endymion Ensemble
- LabelFinlandia
- Catalogue NumberFACD 361
- ConductorJohn Whitfield
- EnsembleEndymion Ensemble
- Released1989

- LabelFinlandia
- Catalogue NumberFACD 374
- ConductorJukka-Pekka Saraste
- EnsembleAvanti! Chamber Orchestra
- SoloistAnssi Karttunen, cello / Jukka Tiensuu, harpsichord

- LabelUmmus
- Catalogue NumberUMM 102
- ConductorLorraine Vaillancourt
- EnsembleLe Nouvel Ensemble Moderne
Works for Orchestra
- LabelOndine
- Catalogue NumberODE 1113-2Q
- ConductorEsa-Pekka Salonen
- EnsembleLos Angeles Philharmonic
- SoloistAnu Komsi (soprano), Riikka Rantanen (contralto), Petri Alanko (alto flute), Anssi Karttunen (cello), Petteri Salomaa (baritone), John Storgards (violin), Pia Freund (soprano), Gabriel Suovanen (baritone), Karita Mattila (soprano)
More Info
- Study for Life - a new dance production based on music by Kaija Saariaho
- 9th April 2025
- Tero Saarinen’s Study for Life will receive its world premiere at Holland Festival on 24th and 25th June 2025
- Around Australia, Aotearoa and Asia in August
- 6th August 2024
- Around Australia, Aotearoa and Asia in August